Finlay Spears

My family and I recently moved to a ‘fixer upper’ farm from the 1930’s. It came with a slightly run down barn, 4000 square metres of land and a LOT of redcurrant bushes. I can’t really say that I am overly fond of them. I find them a bit too tart. As a kid, I used to smother them in sugar, but I can’t do that any longer, since I am a responsible dad… ;-)

Redcurrant is a slightly wonky, slightly crazy handmade font. It can be used for book covers or post cards, but feel free to use it for whatever.

Comes with cute little swashes as well.

Coffinated features letters on coffin shapes. This caps-only family has two sets of characters, with one on coffins that are flipped from those in the other set. The OpenType feature contextual alternatives (calt) prevents two characters from the same set being adjacent. The two styles, bold and regular, can be used in layers to add color. There are not a lot of uses for macabre lettering (horror? Halloween?) but Coffinated is available for those who do find a use.

Summer Square is vintage all caps font with 2 styles clean & rough. 

Summer Square is a strong font, this font is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, retro style design, Book/Cover Title and more.

This font features Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanisch, Swedish, Zulu) and includes 62 ligatures. 

Galena Pro is an extended version of Galena, a typeface published for Bayer Corporation in 1996. Galena Pro is based on the open and organic forms imagined by the writers of humanist Italy, who designed the first so-called Roman characters. Humanist style fonts have moderate stroke contrast, uneven widths, and a classic, but soft and easy-to-read appearance. Galena Pro gives a new birth to the 15th century incunabula, a typographic drawing where the gestures of this standardized handwriting are not mechanical, but more fluid.

The Galena Pro series can provide professional typography with OpenType features such as alternative sets of numbers, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

The different styles of the Galena are enriched with a condensed variant to meet the need for space savings in titles and texts.

Galena Pro is an extended version of Galena, a typeface published for Bayer Corporation in 1996. Galena Pro is based on the open and organic forms imagined by the writers of humanist Italy, who designed the first so-called Roman characters. Humanist style fonts have moderate stroke contrast, uneven widths, and a classic, but soft and easy-to-read appearance. Galena Pro gives a new birth to the 15th century incunabula, a typographic drawing where the gestures of this standardized handwriting are not mechanical, but more fluid.

The Galena Pro series can provide professional typography with OpenType features such as alternative sets of numbers, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

The different styles of the Galena are enriched with a condensed variant to meet the need for space savings in titles and texts.

Era Max Radial is a geometric sans serif meant to be set BIG, for big statements. It's the perfect face for signage, packaging posters, branding and so on and on, where a strong voice is needed. It has a modern look that will work in a retro setting. Or, should that be a vintage look that will work in a modern setting.

This is the first of what is to be a series to typefaces inspired by the original hand painted signage found in the TH&B train station in Hamilton Ontario. This classic Art Deco—Or, more precisely, Art Moderne building designed by the New York firm of Fellheimer and Wagner and completed in 1933.

The original lettering included about 75% of the uppercase letters only, so the balance of the uppercase and the lowercase plus all the other glyphs were extrapolated from the look and feel of the existing uppercase letters. Figures are based on the numerals on the station clock, with adjustments made to harmonized with the letters.