Finlay Spears

Adonis New is a considerate update of the Adonis serif. This dense serif with smooth lines has new, bolder styles, and it supports Greek now. In addition, Natalia Vasilyeva reworked the main styles and made them fresher and more accurate. Adonis New works well in bookset, particularly in fiction and humanities. New version was released by ParaType in 2021.

“News Gothic” has been a reliable workhorse of a font since it was created by Morris Fuller Benton and first offered for sale in 1908 by American Type Founders.  

A clean, legible design used for text copy, it can also double as a light headline face.

This reinterpretation (named Columnist JNL) is available in both regular and oblique versions.

Momoiro is a feminine typeface family, designed for editorial use.

"The first case in which appeared a fashion content in a magazine was in 1672 in the magazine Le Mercure Galant, which was a magazine of entertainment and varied content, including fashion. But the first illustrated and specialized magazine was Le Journal Des Dammes Et Des Modes, created in 1797. "(Fashion Trends, 2011).

On the basis of this historical period, the creation of typography has characteristics of a Baroque type. "In this category we mainly include the types created in the Netherlands during the seventeenth century and whose protagonists are the punch makers Reinhard Voskens and Christoffel Van Dijck. Baroque typography stands out for its accentuated play of irregular axes and contrasts that permeate the text of great vividness. "

Therefore it has contrast in the thick and thin strokes, Roman serifs, humanistic axis. With this typography, we are not looking for a re-reading of the baroque, but rather a current typeface with humanistic characteristics of the handwriting, with a brush as a differential.

Momoiro comes in two weights plus italics to cover as much design needs as possible. It compliments from OpenType features such as ligatures, swashes, true fractions, old style numerals and stylistic sets. 

Juicy Milky is a cute display font that is suitable for branding, packaging, logos, posters, product names, and others. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

Carot Display is made for book covers and posters, but will also shine in advertising and visual identity. The whole Carot system is built up from what has long been around; in any case, it was the intention: to evoke the already experienced visual reminiscences of today's spectacled people. We all have a tendency toward sentiment, which, with each new diopter, deepens to melancholy. Only good font can calm us down. I believe in the raw effect of “Carot” typefaces. The superfamily of 64 members offers a modern alternative for all types of design work.

Ferrara™—Bodoni's Premier Display Font

From 1750-1806 Bodoni made some of the greatest fonts of all time.

These fonts were all but forgotten except in rare books rooms and in vaults underneath our most prestigious universities.

200 years later, the CAL Type Foundry has brought back the very designs drawn by the master himself. Made for large sizes, every detail of the font has been meticulously preserved so that you can work with Bodoni's actual typeface.

3 Display Fonts in One

Bodoni's 1st Draft - A Transitional Font

Bodoni's Rework - A Modern Style

Informal On™ - Informal Mode by CAL Type Foundry

Includes:

• Bodoni's Tivoli a

• Sturdy Displays to Majestic Hairlines Fonts

• Drawn with Sfumato™ Technique, the closest thing to metal type

This display font has it all.

Chamberí is designed to be Vogue España's bestpoke typeface. An ambitious typographic branding project made for one of the most iconic magazine headers of the world, it defines the Spanish edition’s personality through a blending of the functionality of XIX Century Modern Romans (also known as “Scotch" typefaces) and the gestural expressiveness of typographic Baroque. Chamberí is a peculiar combination of the rational and the delicate, the sturdy and the feminine. The family is organised in a broad spectrum of 56 variants in which the transition from the restrained text version to the flamboyant, elegant display is modulated by contrast. The family is organised in seven weights: from Extra Light to Black, plus four contrast grades: Text, Headline, Display and Superdisplay. All this with its own Italics, Small Caps and Old Style Figures, besides the due refinement to resolve any editorial and communicative requirement.

Made you look? There’s a peculiar feel to the letters – achieved by the reversed contrast. Perfectly legible yet there’s something about the characters that makes them stand out. As Viktor Shklovsky once coined, ”Habitualization devours objects” – the everyday world becomes invisible until we are forced to see it otherwise.

The Portland font family is a tool of choice when you want to effortlessly make your designs stand out.